New York Times bestselling and Edgar Award–winning author Lisa Scottoline revolutionized crime fiction when she introduced her all-female law firm of Rosato & Associates, thrilling readers with her twisty, fast-paced plots and capturing their hearts with her cast of strong and relatable female characters. Now Bennie Rosato, Mary DiNunzio, Judy Carrier, and Anne Murphy are back with all cylinders firing in Accused.
Mary Dinuzio has just been promoted to partner and is about to take on her most unusual case yet, brought to the firm by a thirteen-year-old genius with a penchant for beekeeping. Allegra Gardner's sister Fiona was murdered six years ago, and it seemed like an open-and-shut case: the accused, Lonnie Stall, was seen fleeing the scene; his blood was on Fiona and her blood was on him; most damningly, Lonnie Stall pleaded guilty. But Allegra believes Lonnie is innocent and has been wrongly imprisoned. The Gardner family is one of the most powerful in the country and Allegra's parents don't believe in reopening the case, so taking it on is risky. But the Rosato & Associates firm can never resist an underdog. Was justice really served all those years ago? It will take a team of unstoppable female lawyers, plus one thirteen-year-old genius, to find out.
From the highly acclaimed, multiple award-winning Anthony Doerr, a stunningly ambitious and beautiful novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.
Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.
In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.
Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).
Throughout her blockbuster career, Jodi Picoult has seamlessly blended nuanced characters, riveting plots, and rich prose, brilliantly creating stories that “not only provoke the mind but touch the flawed souls in all of us” (The Boston Globe). Now, in her highly anticipated new novel, she has delivered her most affecting work yet—a book unlike anything she’s written before.
For more than a decade, Jenna Metcalf has never stopped thinking about her mother, Alice, who mysteriously disappeared in the wake of a tragic accident. Refusing to believe she was abandoned, Jenna searches for her mother regularly online and pores over the pages of Alice’s old journals. A scientist who studied grief among elephants, Alice wrote mostly of her research among the animals she loved, yet Jenna hopes the entries will provide a clue to her mother’s whereabouts.
Desperate to find the truth, Jenna enlists two unlikely allies in her quest: Serenity Jones, a psychic who rose to fame finding missing persons, only to later doubt her gifts, and Virgil Stanhope, the jaded private detective who’d originally investigated Alice’s case along with the strange, possibly linked death of one of her colleagues. As the three work together to uncover what happened to Alice, they realize that in asking hard questions, they’ll have to face even harder answers.
As Jenna’s memories dovetail with the events in her mother’s journals, the story races to a mesmerizing finish. A deeply moving, gripping, and intelligent page-turner, Leaving Time is Jodi Picoult at the height of her powers.
From the New York Times bestselling author of The Red Tent and Day After Night, comes an unforgettable novel about family ties and values, friendship and feminism told through the eyes of a young Jewish woman growing up in Boston in the early twentieth century.
Addie Baum is The Boston Girl, born in 1900 to immigrant parents who were unprepared for and suspicious of America and its effect on their three daughters. Growing up in the North End, then a teeming multicultural neighborhood, Addie’s intelligence and curiosity take her to a world her parents can’t imagine—a world of short skirts, movies, celebrity culture, and new opportunities for women. Addie wants to finish high school and dreams of going to college. She wants a career and to find true love.
Eighty-five-year-old Addie tells the story of her life to her twenty-two-year-old granddaughter, who has asked her “How did you get to be the woman you are today.” She begins in 1915, the year she found her voice and made friends who would help shape the course of her life. From the one-room tenement apartment she shared with her parents and two sisters, to the library group for girls she joins at a neighborhood settlement house, to her first, disastrous love affair, Addie recalls her adventures with compassion for the naïve girl she was and a wicked sense of humor.
Written with the same attention to historical detail and emotional resonance that made Anita Diamant’s previous novels bestsellers, The Boston Girl is a moving portrait of one woman’s complicated life in twentieth century America, and a fascinating look at a generation of women finding their places in a changing world.
A debut psychological thriller that will forever change the way you look at other people's lives.
Rachel takes the same commuter train every morning. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She’s even started to feel like she knows them. “Jess and Jason,” she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.
And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Unable to keep it to herself, Rachel offers what she knows to the police, and becomes inextricably entwined in what happens next, as well as in the lives of everyone involved. Has she done more harm than good?
Compulsively readable, The Girl on the Train is an emotionally immersive, Hitchcockian thriller and an electrifying debut.
In love we find out who we want to be.
In war we find out who we are.
In the quiet village of Carriveau, Vianne Mauriac says goodbye to her husband, Antoine, as he heads for the Front. She doesn’t believe that the Nazis will invade France...but invade they do, in droves of marching soldiers, in caravans of trucks and tanks, in planes that fill the skies and drop bombs upon the innocent. When a German captain requisitions Vianne’s home, she and her daughter must live with the enemy or lose everything. Without food or money or hope, as danger escalates all around them, she is forced to make one impossible choice after another to keep her family alive.
Vianne’s sister, Isabelle, is a rebellious eighteen-year-old girl, searching for purpose with all the reckless passion of youth. While thousands of Parisians march into the unknown terrors of war, she meets Gäetan, a partisan who believes the French can fight the Nazis from within France, and she falls in love as only the young can...completely. But when he betrays her, Isabelle joins the Resistance and never looks back, risking her life time and again to save others.
With courage, grace and powerful insight, bestselling author Kristin Hannah captures the epic panorama of WWII and illuminates an intimate part of history seldom seen: the women’s war. The Nightingale tells the stories of two sisters, separated by years and experience, by ideals, passion and circumstance, each embarking on her own dangerous path toward survival, love, and freedom in German-occupied, war-torn France--a heartbreakingly beautiful novel that celebrates the resilience of the human spirit and the durability of women. It is a novel for everyone, a novel for a lifetime.
From the bestselling author of High Fidelity, About a Boy, and A Long Way Down comes a highly anticipated new novel.
Set in 1960's London, Funny Girl is a lively account of the adventures of the intrepid young Sophie Straw as she navigates her transformation from provincial ingénue to television starlet amid a constellation of delightful characters. Insightful and humorous, Nick Hornby's latest does what he does best: endears us to a cast of characters who are funny if flawed, and forces us to examine ourselves in the process.
“It was a beautiful, breezy, yellow-and-green afternoon. . .” This is how Abby Whitshank always begins the story of how she fell in love with Red that day in July 1959. The Whitshanks are one of those families that radiate togetherness: an indefinable, enviable kind of specialness. But they are also like all families, in that the stories they tell themselves reveal only part of the picture. Abby and Red and their four grown children have accumulated not only tender moments, laughter, and celebrations, but also jealousies, disappointments, and carefully guarded secrets. From Red’s father and mother, newly arrived in Baltimore in the 1920s, to Abby and Red’s grandchildren carrying the family legacy boisterously into the twenty-first century, here are four generations of Whitshanks, their lives unfolding in and around the sprawling, lovingly worn Baltimore house that has always been their anchor.
Brimming with all the insight, humor, and generosity of spirit that are the hallmarks of Anne Tyler’s work, A Spool of Blue Thread tells a poignant yet unsentimental story in praise of family in all its emotional complexity. It is a novel to cherish.
It was the summer everything changed.…
My Sunshine Away unfolds in a Baton Rouge neighborhood best known for cookouts on sweltering summer afternoons, cauldrons of spicy crawfish, and passionate football fandom. But in the summer of 1989, when fifteen-year-old Lindy Simpson—free spirit, track star, and belle of the block—experiences a horrible crime late one evening near her home, it becomes apparent that this idyllic stretch of Southern suburbia has a dark side, too.
In My Sunshine Away, M.O. Walsh brilliantly juxtaposes the enchantment of a charmed childhood with the gripping story of a violent crime, unraveling families, and consuming adolescent love. Acutely wise and deeply honest, it is an astonishing and page-turning debut about the meaning of family, the power of memory, and our ability to forgive.
The #1 New York Times bestselling author’s latest stand-alone thriller, with a cameo by her fan-favorite character, Boston Detective D.D. Warren
My name is Nicky Frank. Except, most likely, it isn’t.
Nicole Frank shouldn’t have been able to survive the car accident, much less crawl up the steep ravine. Not in the dark, not in the rain, not with her injuries. But one thought allows her to defy the odds and flag down help: Vero.
I’m looking for a little girl. I have to save her. Except, most likely, she doesn’t exist.
Sergeant Wyatt Foster is frustrated when even the search dogs can’t find any trace of the mysterious missing child. Until Nicky’s husband, Thomas, arrives with a host of shattering revelations: Nicole Frank suffers from a rare brain injury and the police shouldn’t trust anything she says.
My husband claims he’ll do anything to save me. Except, most likely, he can’t.
Who is Nicky Frank, and what happened the night her car sailed off the road? Was it a random accident or something more sinister given the woman’s lack of family and no close friends? The deeper Wyatt digs, the more concerned he becomes. Because it turns out, in the past few months, Nicky has suffered from more than one close accident. . . . In fact, it would appear someone very much wants her dead.
This is my life. Except, most likely, it’s not. Now watch me crash and burn.
Perfect for fans of Jenny Milchman, Linda Castillo, and Lisa Gardner—the first book in a suspenseful new crime thriller series featuring the tough but haunted police chief Lizzie Snow, a big-city cop with a mission, taking on a small town with a dark side.
Moving from Boston to remote Bearkill, Maine, isn’t homicide cop Lizzie Snow’s idea of a step up. But breaking away from tragedy and personal betrayal is at least a step in the right direction. Her dead sister’s fate still torments her, as does her long-missing niece’s disappearance. Lizzie hopes to find the mysteriously vanished child here, amid the coming ice and snow. But in the Great North Woods, something darker and more dangerous than punishing winter is also bound for Bearkill.
The town is a world apart in more than distance—full of people who see everything, say little, and know more than they’ll share with an outsider. The only exceptions are the handsome state cop who once badly broke Lizzie’s heart and desperately wants another chance—and Lizzie’s new boss, sheriff Cody Chevrier, who’s counting on her years of homicide experience to help him solve his most troubling case, before it’s too late.
A rash of freak accidents and suicides has left a string of dead men—all former local cops. Now the same cruel eyes that watched them die are on Lizzie—and so is the pressure to find out what sort of monster has his hooks in this town, what his ruthless game is, and just how brutally he’ll play to win. Whatever the truth is, its twisted roots lie in the desolate backwoods of Aroostook County: where the desperate disappear, the corrupt find shelter, and the innocent lose everything. It’s there that a cunning and utterly cold-blooded killer plans the fate of the helpless lives at his mercy—one of whom may be the lost child Lizzie will do anything to save. As a blizzard bears down, and Bearkill’s dark secrets claw their way to the surface, Lizzie gears up for a showdown that could leave the deep, driven snow stained blood red.
Lieutenant Eve Dallas walks the thin line between love and hate in this fabulous 40th thriller from #1 New York Times–bestseller J. D. Robb…
Eve Dallas has solved a lot of high-profile murders for the NYPSD and gotten a lot of media. She—and her billionaire husband—are getting accustomed to being objects of attention, of gossip, of speculation.
But now Eve has become the object of one person’s obsession. Someone who finds her extraordinary, and thinks about her every hour of every day. Who believes the two of them have a special relationship. Who would kill for her—again and again…
With a murderer reading meanings into her every move, handling this case will be a delicate—and dangerous—psychological dance. And Eve knows that underneath the worship and admiration, a terrible threat lies in wait. Because the beautiful lieutenant is not at all grateful for these bloody offerings from her “true and loyal friend.” And in time, idols always fall…
The #1 New York Times bestselling author Jonathan Kellerman writes razor-sharp novels that cut to the quick. Now comes Motive, which pits psychologist Alex Delaware and homicide cop Milo Sturgis against a vicious criminal mind—the kind only Kellerman can bring to chilling life.
Even having hundreds of closed cases to his credit can’t keep LAPD police lieutenant Milo Sturgis from agonizing over the crimes that don’t get solved—and the victims who go without justice. Victims like Katherine Hennepin, a young woman strangled and stabbed in her home. A single suspect with a solid alibi leads to a dead end—one even Alex Delaware’s expert insight can’t explain. The only thing to do is move on to the next murder case—because there’s always a next one.
This time the victim is Ursula Corey: a successful, attractive divorcée who’s been gunned down—not a robbery but an execution, a crime that smacks of simple, savage revenge. And along with that theoretical motive come two strong contenders for the role of perp: the dead woman’s business partner/ex-husband and her divorce lawyer/secret lover. But just as Alex and Milo think they’re zeroing in on the most likely suspect, a bizarre new clue stirs up eerie echoes of the unsolved Hennepin murder. And the discovery of yet another crime scene bearing the same taunting signature raises the specter of a serial killer on a mission, whose twisted method is exceeded only by his manipulative and cunning madness.
For readers of Nora Ephron, Tina Fey, and David Sedaris, this hilarious, wise, and fiercely candid collection of personal essays establishes Lena Dunham—the acclaimed creator, producer, and star of HBO’s Girls—as one of the most original young talents writing today.
In Not That Kind of Girl, Dunham illuminates the experiences that are part of making one’s way in the world: falling in love, feeling alone, being ten pounds overweight despite eating only health food, having to prove yourself in a room full of men twice your age, finding true love, and most of all, having the guts to believe that your story is one that deserves to be told.
“Take My Virginity (No Really, Take It)” is the account of Dunham’s first time, and how her expectations of sex didn’t quite live up to the actual event (“No floodgate had been opened, no vault of true womanhood unlocked”); “Girls & Jerks” explores her former attraction to less-than-nice guys—guys who had perfected the “dynamic of disrespect” she found so intriguing; “Is This Even Real?” is a meditation on her lifelong obsession with death and dying—what she calls her “genetically predestined morbidity.” And in “I Didn’t F*** Them, but They Yelled at Me,” she imagines the tell-all she will write when she is eighty and past caring, able to reflect honestly on the sexism and condescension she has encountered in Hollywood, where women are “treated like the paper thingies that protect glasses in hotel bathrooms—necessary but infinitely disposable.”
Exuberant, moving, and keenly observed, Not That Kind of Girl is a series of dispatches from the frontlines of the struggle that is growing up. “I’m already predicting my future shame at thinking I had anything to offer you,” Dunham writes. “But if I can take what I’ve learned and make one menial job easier for you, or prevent you from having the kind of sex where you feel you must keep your sneakers on in case you want to run away during the act, then every misstep of mine will have been worthwhile.”
In Being Mortal, bestselling author Atul Gawande tackles the hardest challenge of his profession: how medicine can not only improve life but also the process of its ending
Medicine has triumphed in modern times, transforming birth, injury, and infectious disease from harrowing to manageable. But in the inevitable condition of aging and death, the goals of medicine seem too frequently to run counter to the interest of the human spirit. Nursing homes, preoccupied with safety, pin patients into railed beds and wheelchairs. Hospitals isolate the dying, checking for vital signs long after the goals of cure have become moot. Doctors, committed to extending life, continue to carry out devastating procedures that in the end extend suffering.
Gawande, a practicing surgeon, addresses his profession’s ultimate limitation, arguing that quality of life is the desired goal for patients and families. Gawande offers examples of freer, more socially fulfilling models for assisting the infirm and dependent elderly, and he explores the varieties of hospice care to demonstrate that a person's last weeks or months may be rich and dignified.
Full of eye-opening research and riveting storytelling, Being Mortal asserts that medicine can comfort and enhance our experience even to the end, providing not only a good life but also a good end.
In Amy Poehler’s highly anticipated first book, Yes Please, she offers up a big juicy stew of personal stories, funny bits on sex and love and friendship and parenthood and real life advice (some useful, some not so much), like when to be funny and when to be serious. Powered by Amy’s charming and hilarious, biting yet wise voice, Yes Please is a book full of words to live by.
The companion volume to the multimillion-copy classic No Easy Day by former Navy SEAL Mark Owen reveals the evolution of a SEAL Team Six operator
Mark Owen’s instant #1 New York Times bestseller, No Easy Day: The Firsthand Account of the Mission that Killed Osama bin Laden, focused on the high-profile targets and headline-grabbing chapters of the author’s thirteen years as a Navy SEAL. His follow-up, No Hero, offers a rare counterpoint: an account of Owen’s most personally meaningful missions, missions that never made headlines, including the moments in which he learned the most about himself and his teammates in both success and failure.
“I want No Hero to offer something most books on war don’t: the intimate side of it, the personal struggles and hardships and what I learned from them,” says Owen. “The stories in No Hero are a testament to my teammates and to all the other active and former SEALs who have dedicated their lives to freedom. In our community, we are constantly taught to mentor the younger generation and to pass the lessons and values we’ve learned on to others so that they can do the same for the guys coming up after them. This is what I hope I have done for readers of No Hero.”
Every bit as action-packed as No Easy Day, and featuring stories from the training ground to the battlefield, No Hero offers readers a never-before-seen close-up view of the experiences and values that make Mark Owen and the SEALs he served with capable of executing the missions we read about in the headlines.
America’s Bitter Pill is Steven Brill’s much-anticipated, sweeping narrative of how the Affordable Care Act, or Obamacare, was written, how it is being implemented, and, most important, how it is changing—and failing to change—the rampant abuses in the healthcare industry. Brill probed the depths of our nation’s healthcare crisis in his trailblazing Time magazine Special Report, which won the 2014 National Magazine Award for Public Interest. Now he broadens his lens and delves deeper, pulling no punches and taking no prisoners.
It’s a fly-on-the-wall account of the fight, amid an onslaught of lobbying, to pass a 961-page law aimed at fixing America’s largest, most dysfunctional industry—an industry larger than the entire economy of France.
It’s a penetrating chronicle of how the profiteering that Brill first identified in his Time cover story continues, despite Obamacare.
And it is the first complete, inside account of how President Obama persevered to push through the law, but then failed to deal with the staff incompetence and turf wars that crippled its implementation.
Brill questions all the participants in the drama, including the president, to find out what happened and why.
He asks the head of the agency in charge of the Obamacare website how and why it crashed.
And he tells the cliffhanger story of the tech wizards who swooped in to rebuild it.
Brill gets drug lobbyists to open up on the deals they struck to protect their profits in return for supporting the law.
And he buttresses all these accounts with meticulous research and access to internal memos, emails, notes, and journals written by the key players during all the pivotal moments.
Brill is there with patients when they are denied cancer care at a hospital, or charged $77 for a box of gauze pads. Then he asks the multimillion-dollar executives who run the hospitals to explain why.
He even confronts the chief executive of America’s largest health insurance company and asks him to explain an incomprehensible Explanation of Benefits his company sent to Brill.
And he’s there as a group of young entrepreneurs gamble millions to use Obamacare to start a hip insurance company in New York’s Silicon Alley.
Vividly capturing what he calls the “milestone” achievement of Obamacare, Brill introduces us to patients whose bank accounts or lives have been saved by the new law—although, as he explains, that is only because Obamacare provides government subsidies for “tens of millions of new customers” to pay the same exorbitant prices that were the problem in the first place.
All that is weaved together in an elegantly crafted, fast-paced narrative.
But by chance America’s Bitter Pill ends up being much more—because as Brill was completing this book, he had to undergo urgent open-heart surgery.
Thus, this also becomes the story of how one patient who thinks he knows everything about healthcare “policy” rethinks it from a hospital gurney—and combines that insight with his brilliant reporting. The result: a surprising new vision of how we can fix American healthcare so that it stops draining the bank accounts of our families and our businesses, and the federal treasury.
It is now one hundred years since drugs were first banned in the United States. On the eve of this centenary, journalist Johann Hari set off on an epic three-year, thirty-thousand-mile journey into the war on drugs. What he found is that more and more people all over the world have begun to recognize three startling truths: Drugs are not what we think they are. Addiction is not what we think it is. And the drug war has very different motives to the ones we have seen on our TV screens for so long.
In Chasing the Scream, Hari reveals his discoveries entirely through the stories of people across the world whose lives have been transformed by this war. They range from a transsexual crack dealer in Brooklyn searching for her mother, to a teenage hit-man in Mexico searching for a way out. It begins with Hari’s discovery that at the birth of the drug war, Billie Holiday was stalked and killed by the man who launched this crusade—and it ends with the story of a brave doctor who has led his country to decriminalize every drug, from cannabis to crack, with remarkable results.
Chasing the Scream lays bare what we really have been chasing in our century of drug war—in our hunger for drugs, and in our attempt to destroy them. This book will challenge and change how you think about one of the most controversial—and consequential—questions of our time.